![]() ![]() I natural assume the mastering was designed to compliment the mixeditor and the sonic quality of the provided instruments. Universal, Fire, Clarity and Tape presets help you glue your mix together with different characteristics. It’s also worth noting that music created and mixed strictly within the BandLab mix editor has better results with the mastering than uploading a mixdown from a DAW. BandLab 10.0 has improved its free online mastering with the help of Grammy Award-winning artists and engineers (including Björk mastering engineer Mandy Parnell). So I only recommend using their mastering as a sort of reference check for a mix and a loudness target and wouldn’t use it for releasing music commercially. I also would like to know if they are applying dither, if they lower the ceiling for encoding mp3.etc, but I have yet to see any mention of it. With many options to build a following as well as grow your talents and experience, Bandlab is an easy to use platform for all. Easy-to-Create Assignments Grades System Real-Time Collaboration Simple Pricing It’s Free No extra charges, no hidden clauses. Our platform lets you send assignments, grade submissions and give valuable feedback to the next generation of musicians. ![]() The only info I was able to obtain from their blog was that -4.4 and lower was optimal headroom. Bandlab is a free Online platform with its own built in DAW with a similar layout to Garageband, making it easy to use as well as transition to from other workstations. BandLab for Education will do that and more. ![]() ![]() I assume my expectations are probably just unrealistic for what their mastering is designed to do, which is totally fine except that they give no technical details that would inform me on the most ideal mix to submit. My experience using BandLab’s mastering service over the last couple of years has been either less than ideal or has introduced aliasing and artifacts to the top end of the mix. ![]()
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